Description: A long line of people walks past an enormous open-fronted two storey, dormer windowed, model house, looking into its brightly lit interior, while a uniformed attendant looks on. Some large moving puppets, items of furniture and various moving parts can be seen, slightly blurred, inside the rooms. In the kitchen with its black and white tiled floor, a slightly grotesque maid puppet, in cap and apron, sits and pedals away at a contraption that through an elaborate system of wires, cogs and wheels turns some spoons in a bowl and some wooden spatulas in the upper container of a (clearly labelled) custard machine. Another uniformed maid, sitting facing the wall in the cheerfully decorated nursery, is operating a machine which hoists a naked baby in the air and turns it around, perhaps so she can wash it. Meanwhile behind her another contraption feeds two very small children in their wooden high chairs while a further device rocks a baby's cot in the corner. A curtain draws back to reveal a bedroom, and a bald male puppet sits up in bed, woken by some further mechanism. In the dining room below, the table is set ready for breakfast with a teapot, milk jug, toast in a toast rack and boiled eggs. Another maid in the corner of the room turns a wheel which simultaneously lifts the covers from the eggs and lowers the lady and gentleman of the house down through the ceiling from their bedroom and into their seats at the table. Outside, two large and sturdy women puppets placed among the visitors to the exhibition, are walking round and round in circles, pushing a heavy capstan like device, the purpose of which is unclear.
But then after two intertitles about the cameraman the film comes to an abrupt end.
Keywords: Exhibitions; Building design; Houses; British Artists
Locations: United Kingdom; England; London; Kensington and Chelsea; Earl's Court
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